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	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>cow dung</KEYWORDS>
		<PAGES>2,4</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>natural pigment</KEYWORDS>
		<PAGES>2</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>BMW</KEYWORDS>
		<PAGES>2,Back cover</PAGES>
	</INSTANCE>



	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>vgallery</KEYWORDS>
		<PAGES>2</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>esther mahlangu</KEYWORDS>
		<PAGES>3</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>contents</KEYWORDS>
		<PAGES>5</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>index</KEYWORDS>
		<PAGES>5</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>headings</KEYWORDS>
		<PAGES>5</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>umuzi</KEYWORDS>
		<PAGES>6</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>gateway</KEYWORDS>
		<PAGES>6</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>wall painting</KEYWORDS>
		<PAGES>6</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>courtyard</KEYWORDS>
		<PAGES>6</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>apeldoorn</KEYWORDS>
		<PAGES>2</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION>CV</SECTION>
		<KEYWORDS>rewind fast forward.za</KEYWORDS>
		<PAGES>2,36</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>induna</KEYWORDS>
		<PAGES>4</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>foreword</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>contemporary art</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>african art</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>traditional art</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>BMW art cars</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>525i</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>Documenta 9 in Kassel germany</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>


	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>Sol LeWitt</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>Damien Hirst</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>Ndebele women</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
		<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>Kyle Kauffman</KEYWORDS>
		<PAGES>8</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>william kentridge</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>wall painting</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
		<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>marlene dumas</KEYWORDS>
		<PAGES>7</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>razor blade</KEYWORDS>
		<PAGES>8</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>south africa</KEYWORDS>
		<PAGES>8,1</PAGES>
	</INSTANCE>
		<INSTANCE>
		<SECTION>foreword</SECTION>
		<KEYWORDS>ceremonies</KEYWORDS>
		<PAGES>8</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>tribute</SECTION>
		<KEYWORDS>peter clarke</KEYWORDS>
		<PAGES>9</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>tribute</SECTION>
		<KEYWORDS>spaces</KEYWORDS>
		<PAGES>9</PAGES>
	</INSTANCE>
		<INSTANCE>
		<SECTION>tribute</SECTION>
		<KEYWORDS>landscape</KEYWORDS>
		<PAGES>9</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>tribute</SECTION>
		<KEYWORDS>forced removal</KEYWORDS>
		<PAGES>9</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>tribute</SECTION>
		<KEYWORDS>horizon</KEYWORDS>
		<PAGES>9</PAGES>
	</INSTANCE>
		<INSTANCE>
		<SECTION>tribute</SECTION>
		<KEYWORDS>sky</KEYWORDS>
		<PAGES>9</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>tribute</SECTION>
		<KEYWORDS>overseas</KEYWORDS>
		<PAGES>9</PAGES>
	</INSTANCE>







	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>about the exhibition</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>discovery</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>1989</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>solo exhibition</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>traditions</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>piece de resistance</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>installation art</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>performance art</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>UCT IRMA STERN MUSEUM</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>curators andries loots</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>curators fred de jager</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>styles and periods</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>old and new</KEYWORDS>
		<PAGES>10</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>about exhibition</SECTION>
		<KEYWORDS>natural pigment</KEYWORDS>
		<PAGES>8,11,4</PAGES>
	</INSTANCE>





	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>biographical sketch</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>biography</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>esther mahlangu</KEYWORDS>
		<PAGES>12,13</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>Nikwambi Mahlangu Najiyana Nostokana</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>born 1935</KEYWORDS>
		<PAGES>12,1</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>Middelburg in Mpumalanga</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>Ndebele women</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>clays</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>cow dung</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>medium</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>started</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>quotes by the artist</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>married</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>sons elias nostokana</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>Mabhoko Weltevrede</KEYWORDS>
		<PAGES>12,1</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>School for Ndebele Art</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>teaching</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>sanctions</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>blanket</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>walked</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Biographical sketch</SECTION>
		<KEYWORDS>grandmother</KEYWORDS>
		<PAGES>12</PAGES>
	</INSTANCE>





	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>how did it start</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>beginning</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>Pompidou Centre in Paris france</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>homesteads</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>Botshabelo Ndebele Museum near Middelburg</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>aeroplane</KEYWORDS>
		<PAGES>15,14</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>son Elias</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>mayor of Middelburg Mr Piet Bezuidenhout</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>mealie meal</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>travels</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>Johannesburg International Airport</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>brightly coloured painted murals</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>museum of Angouleme</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>quotes by the artist</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>food</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>esthers house</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>souvenir de paris</KEYWORDS>
		<PAGES>15</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>How did it start</SECTION>
		<KEYWORDS>plane</KEYWORDS>
		<PAGES>14</PAGES>
	</INSTANCE>






	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>The 1991 BMW art cars Project</KEYWORDS>
		<PAGES>16,19</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>1975 French auctioneer and racing driver Herve Poulain</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>BMW 3.0 CSL</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Frank Stella</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Roy Lichtenstein</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Andy Warhol</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Louvre in Paris</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Royal Academy in London</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>New York Whitney Museum of Modern Art</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>BMW 525i model</KEYWORDS>
		<PAGES>16,19</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>black woman artist</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>car door</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Johan Walker, in his 1990 publication Art in the Age of Mass Media</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>quotes by the artist</KEYWORDS>
		<PAGES>16</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>A Calder</KEYWORDS>
		<PAGES>16,17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Frank Stella</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Roy Lichtenstein</KEYWORDS>
		<PAGES>17,18</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Andy Warhol</KEYWORDS>
		<PAGES>17,18</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>E Fuchs</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Robert Rauschenberg</KEYWORDS>
		<PAGES>17,18</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>K Done</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>MJ Nelson</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>C Manrique</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>M Kayama</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>Esther Mahlangu 1991 bmw</KEYWORDS>
		<PAGES>17,19</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>AR Penck</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>S Chia</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>David Hockney</KEYWORDS>
		<PAGES>17,18</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>BMW art cars project</SECTION>
		<KEYWORDS>J Holzer</KEYWORDS>
		<PAGES>17</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>ndebele painting</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>




	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>Levinson</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>beadwork patterns</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>origin of designs</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>Ndebele people</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>wall painting</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>Zimbabwe</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>identity</KEYWORDS>
		<PAGES>20,21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>industrial paints</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>geometric patterns</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>mud</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>cow dung</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>winter season</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>natural pigments</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>initiations</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>mural painting and beadwork</KEYWORDS>
		<PAGES>20</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>style and design</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>durability</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>polygamous</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>1940</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>1950s</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>forced removals of apartheid</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>poverty</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>family occasions</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>figurative elements</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>social</KEYWORDS>
		<PAGES>21</PAGES>
	</INSTANCE>



	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>stylized designs</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>aeroplanes light bulbs</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>outside world</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>razorblade itjhefana</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>geometric designs</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>tribal rituals</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>1990</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>wall paintings</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>canvas</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>currency</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>quotes by the artist</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>Collectors</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>tradition</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>global economy</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>art market</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>domestic utility items</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>beading and house painting</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>murals</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>beadwork</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>international audience</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>esther as an individual</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>traditional dress</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>traditional artifact</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting</SECTION>
		<KEYWORDS>contemporary art market</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>





	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>medium</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>materials</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>historical context</KEYWORDS>
		<PAGES>22</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>goatskin cape</KEYWORDS>
		<PAGES>23</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>esther in traditional dress</KEYWORDS>
		<PAGES>23</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>inaka</KEYWORDS>
		<PAGES>23</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>itjhefana</KEYWORDS>
		<PAGES>23</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>razor blade design</KEYWORDS>
		<PAGES>23</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>traditional palette</KEYWORDS>
		<PAGES>24</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>red black cow dung ash lime clay</KEYWORDS>
		<PAGES>24</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>chicken feathers</KEYWORDS>
		<PAGES>24</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>brushes</KEYWORDS>
		<PAGES>24</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>1940</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>mud bricks</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>houses</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>roofs reeds grasses</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>natural pigments</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>walk</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>soot</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>olifants wilge elands rivers</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>charcoal</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>kitchen fires</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>ochre brown pink clays</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>limestone white</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>stored</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>cow dung binding agent</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>paints for wall decoration</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>ndzundza</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>commercially manufactured paints</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>1940s</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>durability</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>availability of paints</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>traditional materials</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>packing transportation abroad</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>acrylic paints</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>freedom of colours</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>chicken feathers</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>wall paintings</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting medium</SECTION>
		<KEYWORDS>commercial brushes</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>







	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>designs</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>unmodulated colour</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>shading</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>lack of perspective</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>rhythm colour line contrasts</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>shape size direction</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>geometric designs from the environment</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>stylized images of items</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>repetitive use</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>visual vocabulary</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>masters of geometry</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>rulers straight edges mathematical instruments</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>parallel lines</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>layout drawings</KEYWORDS>
		<PAGES>25</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>design priciples</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>traditional home umuzi</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>entrance izimpuntwana</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>bold striped patterns</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>white next to black</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>individualized compositions</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>unity rhythm symmetry balance</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>artistic alphabet</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>smaller images</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting designs</SECTION>
		<KEYWORDS>complicated structures</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>









	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>style</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>abstract style</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>semi figurative style</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>westernization</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>linear patterning</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>wet mud</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>symmetrically and geometrically</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>symbolic meaning</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>protection from evil spirits</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>monochromatic colours</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>endings</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>domestic complex</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>nebo murals black and white diamond type motifs
pedi ntwane</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>van vuuren</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>industrialization industrrialized</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>urban labour markets</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>pretoria johannesburg</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>new design elements cars people animals aeroplanes lights lampposts light bulbs</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>stylized images</KEYWORDS>
		<PAGES>26</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>reasons for adaptation of traditional styles</KEYWORDS>
		<PAGES>26,28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>2001</KEYWORDS>
		<PAGES>27</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>2002</KEYWORDS>
		<PAGES>27</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>private collections</KEYWORDS>
		<PAGES>27</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>umuzi around the home</KEYWORDS>
		<PAGES>27</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>initiation party</KEYWORDS>
		<PAGES>27</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>1993 anc colours</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>electricity lights telephone poles light switches</KEYWORDS>
		<PAGES>27</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>employment in cities</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>stylistic economy</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>demanding tourist market</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>small artefacts in large numbers</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>changes in design and colours</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>global and domestic travel</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>political changes</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>south african flag</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>corporate patronage</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>Ndebele painting style</SECTION>
		<KEYWORDS>logos coca cola bmw</KEYWORDS>
		<PAGES>28</PAGES>
	</INSTANCE>











	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beadwork</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>life stages in ndebele culture</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>white clay and seed beads</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>1940</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>european influences</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>lindsay hooper beads</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beads personal expressive form</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>clothing</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beaded clothing worn by men</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>initiation ceremonies</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>women away from home</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>status and creativity</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beads young girls igabe apron</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>waistband</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>after puberty initiation ritual</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beads isiphephetu stiff front apron</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beaded isithimba soft skin back apron</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>marriage bride beaded itshogolo goatskin front apron five finger flaps</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>



	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>status enriched her beaded itshogolo</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>important ceremonial occasions initiations</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beaded amaphotho front apron two square flaps married women</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beaded naga panelled skin cloak brides</KEYWORDS>
		<PAGES>29,31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>white beads</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>blankets as cloaks</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beaded ornaments</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>age status fashion</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>isigolwana beaded rings</KEYWORDS>
		<PAGES>29</PAGES>
	</INSTANCE>






	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>beaded rings foundation of grass cloth</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>nyoka snake band of beadwork brides</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>fertility</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>linga kobe initiation ceremonies of sons long tears</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>older beadwork 1920 1930</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>white beads</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>primary colours in beadwork</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>green and orange in beadwork</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>size of beaded design</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>colour changes among the Ndzundza blues greens purples</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>group identity</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>motifs</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>letters of the alphabet</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>telephone poles razor blades plant forms</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>the house in design gables gateways</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>invluence of prevailing circumstances</KEYWORDS>
		<PAGES>31</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>adoption of new resources of identity</KEYWORDS>
		<PAGES>32</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>2000 beaded panels</KEYWORDS>
		<PAGES>32</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>signing her beadwork em</KEYWORDS>
		<PAGES>32</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>beadwork</SECTION>
		<KEYWORDS>images of beadwork</KEYWORDS>
		<PAGES>30,32</PAGES>
	</INSTANCE>




	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>interview</KEYWORDS>
		<PAGES>33</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>andries loots and esther mahlangu in conversation</KEYWORDS>
		<PAGES>33</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>success</KEYWORDS>
		<PAGES>33</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>interest in painting</KEYWORDS>
		<PAGES>33</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>style changes earthy tones bright colours</KEYWORDS>
		<PAGES>33</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>itjhefana favourite design razor blade</KEYWORDS>
		<PAGES>33</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>favourite colour</KEYWORDS>
		<PAGES>33</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>ndebele art and contemporary art</KEYWORDS>
		<PAGES>33</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>ndebele art today</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>living conditions after 1994</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>homeland of KwaNdebele</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>future of ndebele art</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>esthers role in ndebele culture</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>school teaching local girls</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>loss of culture</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>ndimande family ndebele foundation foreign funding</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>exploitation of ndebele art</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>galleries outsiders benefit fron ndebele culture</KEYWORDS>
		<PAGES>34</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>interview</SECTION>
		<KEYWORDS>image of wall paintings</KEYWORDS>
		<PAGES>35</PAGES>
	</INSTANCE>







	<INSTANCE>
		<SECTION>CV</SECTION>
		<KEYWORDS>cv resume curriculum vitae</KEYWORDS>
		<PAGES>36</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>CV</SECTION>
		<KEYWORDS>studies</KEYWORDS>
		<PAGES>36</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>CV</SECTION>
		<KEYWORDS>exhibitions and projects</KEYWORDS>
		<PAGES>36</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>CV</SECTION>
		<KEYWORDS>collections</KEYWORDS>
		<PAGES>37</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>CV</SECTION>
		<KEYWORDS>awards</KEYWORDS>
		<PAGES>38,39</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>CV</SECTION>
		<KEYWORDS>publications references</KEYWORDS>
		<PAGES>38</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>images of works</KEYWORDS>
		<PAGES>40,41,42,43</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>cow dung natural pigment</KEYWORDS>
		<PAGES>41,42</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>pigozzi</KEYWORDS>
		<PAGES>43</PAGES>
	</INSTANCE>

	<INSTANCE>
		<SECTION>bibliography</SECTION>
		<KEYWORDS>bibliography</KEYWORDS>
		<PAGES>44,45</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>image of decorated pots</KEYWORDS>
		<PAGES>45</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>acknowledgements</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>





	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>acknowledgements</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>sponsors department of arts and culture</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>sponsors peake collection</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>sponsors vaughan and linda beckerling</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>foreword kyle kauffman</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>tribute peter clarke</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>editing antoinette du plessis</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>photography zwelethu mthethwa</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>photography fred de jager</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>bmw public relations</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>information iziko museums lindsay hooper</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>collectors louis and charlotte schachat 46</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>collectors vaughan and linda beckerling</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>collectors aat slot and di pickard</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION>acknowledgements</SECTION>
		<KEYWORDS>collectors willie and evelyn bester</KEYWORDS>
		<PAGES>46</PAGES>
	</INSTANCE>


	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>image of esther malangu and her house wall painting</KEYWORDS>
		<PAGES>47</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>image of landscape with sign of ndebele art school for children</KEYWORDS>
		<PAGES>48</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>virtual cd internet resources</KEYWORDS>
		<PAGES>49</PAGES>
	</INSTANCE>
	<INSTANCE>
		<SECTION></SECTION>
		<KEYWORDS>image of my bmw</KEYWORDS>
		<PAGES>back cover</PAGES>
	</INSTANCE>

</LIST>


