|
Damien
Hirst is one of the most famous British artists of our time. Damien Hirst has defined and drawn attention to a generation of young British artists.
Born in Bristol, England, 1965 |
|
Exhibitions:
(info. provided by
www.vgallery.co.za) |
| 2000
|
'Theories, Models, Methods, Approaches, Assumptions, Results and Findings.', Gagosian Gallery, New York
|
| 1998
|
'Damien
Hirst', Southampton City Art Gallery, Southampton, UK
|
| 1997
|
'The Beautiful Afterlife', Bruno Bischofberger, Zurich,
Switzerland
Astrup Fearnley Museum, Oslo, Norway
|
| 1996
|
'No Sense of Absolute Corruption', Gagosian Gallery, New York
|
| 1995
|
'Still', White Cube, London
'Prix Eliette von Karajan 95', Max Gandolph-Bibliothek, Salzberg,
Austria
'Damien Hirst', Gagosian Gallery, New York
|
|
1994
|
'Pharmacy', Kukje Gallery, Seoul, South
Korea
'Pharmacy', Dallas Museum, Dallas, USA
'A Bad Environment for White Monochrome Paintings', Mattress Factory, Pittsburgh,
USA
'A Good Environment for Colored Monochrome Paintings, DAAD Gallery, Berlin,
Germany
'Currents 23', Milwaukee Art Museum, Wisconsin, USA
'Making Beautiful Drawings', Bruno Brunnet Fine Arts, Berlin,
Germany
|
|
1993
|
'Damien
Hirst', Galerie Jablonka, Cologne,
Germany
'Visual Candy', Regan Projects, Los Angeles, USA
|
| 1992
|
'Pharmacy', Cohen Gallery, New York
'Where God's Now', Jay & Donatella Chiat, New York
'Mariianne, Hildegarde', Unfair/Jay Joplin, Cologne, Germany
'Damien Hirst: Third International Istanbul Biennial', British Council, Istanbul,
Turkey
|
| 1991
|
'Internal Affairs',
ICA, London
'When Logic Dies', Emmanuel Perrotin, Paris, France
'In & Out of Love', Woodstock Street, London
|
| Group
Exhibitions: |
| 2002
|
Whitecube
Gallery, London, UK
|
| 1999
|
'…On the sublime…' Rooseum Center for Contemporary Art, Malmš,
Sweden
|
| 1998
|
'A Portrait of Our times: An Introduction to the Logan Collection', San Francisco Museum of Modern Art, San Francisco,
USA
'Wall Projects: Damien Hirst', Museum of Contemporary Art, Chicago,
USA
'Fun se Si cle', Walsall Museum and Art Gallery, Wallsall, UK
'Pandemonium: The London Festival of Moving Image', LEA, London
'Fifty Years of British Sculpture: Works from the Arts Council Collection', Lothbury Gallery,
London
'Damien Hirst, Jeff Koons, Charles Ray', 11 Duke Street, London
'The Colony Room 50th Anniversary Art Exhibition', A22 Projects,
London
'London Calling: Contemporary British Art from Italian Private Collections, Part II: The Eighties and Nineties', The British School at Rome/Galleria Nazionale d'Arte
Moderna, Italy
'Zone', Fondazione Sandretto Re Rebaudengo, Palazzo Re Rebaudengo,
Guarene, Italy
'Inner Eye: Contemporary Art from the Marc and Livia Straus Collection', Samuel P Harn Museum of Art, University of Florida,
Giansville, USA
'Modern British Art', Tate Gallery, Liverpool, UK
'Noir', Trienniale di Milano, Milan, Italy
'Veronica's Revenge (Lambert Art Collection, Geneva)', Deichtorhallen, Hamburg,
Germany
'Wild/Life, -or-, The Impossibility of Mistaking Nature for Culture', Weatherspoon Art Gallery, North Carolina,
USA
|
| 1997
|
'Dimensions Variable', British Council Touring
Exhibition
'Sensation', Royal Academy of Arts, London
'Sensation', Hamburger Bahnhof, Berlin, Germany
'Picture Britannica: Art from Britain', Museum of Contemporary Art, Sydney,
Australia
'Picture Britannica: Art from Britain', Art Gallery of South Australia, Adelaide,
Australia
'Picture Britannica: Art from Britain', Te Papa, Wellington, New
Zealand
'Turning Up #4', Kunstmuseum Wolfsburg, Germany
'Packaging Holiday', Hydra Workshops, Hydra, Greece
'Sunny Days/Critical Times: An Exhibition of Works from the Bohen Foundation's Collection', The Bohen Foundation, New
York
'Veronica's Revenge: Oeuvres photographiques de la Lambert Art Collection', Centre d'Art Contemporain, Geneva,
Switzerland
'Material Culture', Hayward Gallery, London
'A Ilha do Tesouro', Fundao Calouste Gulbenkian, Lisbon
'The Lost ark', Center for Contemporary Arts, Glasgow, UK
|
| 1996
|
'Life/Live', Musee d'Art Moderne de la Ville de Paris, Paris,
France
'Life/Live', Centro de Exposiçoes de Centro Cultural de Belém, Lisbon,
Portugal
'Zeit-Spiegel I', Städtisches Museum Schloß Morsbroich,
Leverkusen, Germany
'Other Men's Flowers', Galerie Aurel Scheiber, Cologne, Germany
'Faustrecht der Freiheit (Volkmann Collection)', Kunstsammlung Gera, Berlin,
Germany
'Faustrecht der Freiheit (Volkmann Collection)', Neues Museum Weserburg, Bremen,
Germany
'Chaos, Madness - Moods in Contemporary Art', Kunsthalle Krems,
Austria
'Twentieth-century British Sculpture', Jeu de Paume, Paris, France
'Other Men's Flowers', Aurel Scheibler, Cologne, Germany
'Private View', The Bowes Museum, Barnard Castle, County Durham,
UK
'Happy End', Kunsthalle, Düsseldorf, Germany
'Faustrecht der Freiheit (Volkmann Collection)', Kunstsammlung Gera, Berlin,
Germany
Meues Museum Weserburg, Bremen, Germany
'Do It', Raum Aktueller Kunst, Vienna, Austria
'Everything That's Interesting Is New: The Dakis Joannou Collection', Athens School of Fine Arts, The Factory, Athens,
Greece
'Art Unlimited', Brighton University Gallery, Brighton,
UK
'Everything That's Interesting Is New: The Dakis Joannou Collection', Museum of Modern Art, Copenhagen,
Denmark
'Everything That's Interesting Is New: The Dakis Joannou Collection', Solomon R Guggenheim Museum SoHo, New
York
'Works on Paper', Irish Museum of Modern Art, Dublin, Ireland
'A Small Shifting Sphere of Serious Culture', ICA, London, (touring exhibition)
'British Art Show 4', Cardiff,
UK
'Spellbound', Hayward Gallery, London
|
| 1995
|
'British Art Show 4', Hayward Gallery,
London
'British Art Show 4', Manchester, UK, 1995-96
'British Art Show 4', Edinburgh, UK
'Brilliant: Art from London', Walker Art Center, Minneapolis, USA, 1995-96
Contemporary Arts Museum, Houston, USA
'New Art in Britain', Museum Sztuki, Poland
'Turner Prize Exhibition', Tate Gallery, London
'Laboratories', Galerie Art et Essai, University of Rennes, Brittany,
France
'The Reflected Image', Museo Pecci, Prato, Italy
'Minky Manky', South London Gallery, London
'Signs and Wonders', Kunsthaus, Zurich, Switzerland
'From Here', Waddington Galleries/Karsten Schubert, London
'Group Show', Bruno Brunnet Galerie, Berlin, Germany
'A Bonnie Situation: Truth and Fiction', Contemporary Fine Arts, Berlin,
Germany
'Drawing the Line', South Bank Center, London
'Drawing the Line', Southampton City Art Gallery, Southampton, UK
'Art Unlimited', Center for Contemporary Art, Glasgow, UK
'Drawing the Line', Manchester City Art Gallery, Manchester, UK
'Drawing the Line', Ferens Art Gallery, Hull, UK
'Drawing the Line', Whitechapel Art Gallery, London
'Some Went Mad, Some Ran Away', Museum of Contemporary Art, Chicago,
USA
'Some Went Mad, Some Ran Away', Portalen, Copenhagen, Denmark
|
| 1994
|
'Cocido Y Crudo', Museo Natcional Centro de Arte Reina Sofia, Madrid,
Spain
'Art Unlimited', Leeds Metropolitan University Gallery, Leeds, UK
'Art Unlimited', Corner House, Manchester, UK
'Art Unlimited', South Bank Center, London
'Art Unlimited', Christchurch Mansion, Ipswich, UK
'From Beyond the Pale', Irish Museum of Modern Art, Dublin, Ireland, 1994-95
'Some Went Mad, Some Ran Away', Serpentine Gallery, London
'Some Went Mad, Some Ran Away', Nordic Arts Center, Helsinki,
Finland
'Some Went Mad, Some Ran Away', Kunstverein, Hanover, Germany
Radiomarelli, S Antonino Di Susa, Turin, Italy
'Drawing on Sculpture', Cohen Gallery, New York
'Nature Morte', Tanya Bonakdar Gallery, New York
'Domestic Violence, Gio Marconi, Milan, Italy
'Not Self-Portrait', Karsten Schubert, London
'Virtual Reality', National Gallery of Australia, Canberra,
Australia
|
| 1993
|
'A Wonderful Life', Lisson Gallery,
London
'Displace', Cohen Gallery, New York
'Venice Biennal', Aperto Section, Venice, Italy
'Here and Now: Twenty-three Years of the Serpentine Gallery', Serpentine Gallery,
London
'The Nightshade Family', Museum Fridericianum, Kassel, Germany
'The 21st Century', Kunsthalle, Basel, Switzerland
'Posthuman', Deichtorhallen, Hamburg
|
| 1992
|
'Turner Prize
Exhibition', Tate Gallery, London
'British Art', Barbara Gladstone Gallery, New York
'Avantegarde & Kampagne', Stadtische Kunsthalle, Düsseldorf,
Germany
'Group Show', Luis Campaña Gallery, Frankfurt, Germany
'Posthuman', Fondation Asher Edelman, Lausanne, France
'Posthuman', Museo D'Arte Contemporanea, Turin, Italy
'London Portfolio', Karsten Schubert, London
Turkish Biennial, Turkey
'Made for Arolsen', Schloss Arolsen, Arolsen, Germany
'Young British Artists', Saatchi Collection, London
'Moltiplici/Cultura, Rome, Italy
'Under Thirty', Galerie Metropol, Vienna, Austria
|
| 1991
|
'Damien Hirst',
ICA, London
'Broken English', Serpentine Gallery, London
'Louder Than Words', Cornerhouse, Manchester, UK
|
| 1990
|
'Gambler', Building One,
London
'Modern Medicine', Building One, London
|
| 1989
|
'New contemporaries',
ICA, London
Third Eye Center, Glasgow, UK
|
| 1988
|
'Freeze', Surrey Docks,
London
|
| Collections:
(in |
Arts Council of Great Britain
Astrup Fearnley Museum, Oslo, Norway
Beckman Foundation, New York
Bohen Foundation, New York
British Council, UK
Caldic Collection, Rotterdam, The Netherlands
Denver Art Museum, USA
DESTE Foundation for Contemporary Art, Athens, Greece
Deutsche Bank, London
Fondazione Sandretto, Turin, Italy
Fondazione Prada, Milan, Italy
Groeninge Group, Belgium
Hirshhorn Museum, Washington DC, USA
Israel Museum, Jerusalem, Israel
Kunst Museum, Wolfsburg
Museum of Modern Art, New York
Paine Webber Art Collection, New York
Rubell Family Foundation, Miami, USA
Saatchi Gallery, London
Sammlung Goetz, Munich, Germany
San Diego Museum of Contemporary Art, San Diego, USA
Scottish National Gallery of Modern Art, Edinburgh, Scotland
Stedelijk Museum, Amsterdam, The Netherlands
Tate Gallery, London
Weltkunst Fondation, Dublin, Ireland
Yale Center for British Art, New Haven, USA |
| Publications:
(info. provided by
www.vgallery.co.za) |
Hirst, Damien, I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now (monograph and pop-up book), Booth-Clibborn Editions, London, 1997
Archer, Michael and Greg Hilty, Material Culture: The Object in British Art of the 1980s and 1990s, Hayward Gallery, London, 1997
Burn, Gordon, and Damien Hirst, 'Hirst World', The Guardian, 31b August 1996
Bonami, Francesco, 'Damien Hirst: The Exploded View of the Artist', Flash Art, Summer 1996
Schjeldahl, Peter, 'He Loves You', Village Voice, 21 May 1996
Arning, Bill, 'Where there's smoke…', Time Out New York, 15-22 May 1996
Kimmelman, Michael, 'Damien Hirst's Carnival', The New York Times, 10 May 1996
Burn, Gordon, 'Is Mr Death In?', The Independent Magazine, 17 February 1996
Beckett, Andy, 'Strange Case', The Independent on Sunday, 12 November 1995
Lyall, Sarah, 'Is It Art, or just Dead Meat?', The New York Times Magazine, 12 November 1995
'In Conversation with Damien Hirst', The Idler, July-August 1995
Saltz, Jerry, 'More Life: The Work of Damien Hirst', Art in America, June 1995
Brooks, Loura Wixley, 'Damien Hirst and the Sensibility of Shock', Art and Design, January-February 1995
Kent, Sarah, Shark Infested Waters, Zwemmer, London, 1994
Leedham, Rob, 'Perpetuating the Myth of the Artist as a Rock-and-Roll Star: Damien Hirst', Dazed and Confused, no. 8, 1994
Cone, Michael, 'An Interview with Damien Hirst', Atlantica, August 1994
Burn, Gordon, 'Damien Hirst', Parkett, June 1994
Groys, Boris, 'Decadent Geometry', Parkett, June 1994
Self, Will, 'A Steady Iron-Hard Jet', Modern Painters, Summer 1994
Greenberg, Sarah, interview with Andrew Wilson, 'Art Gets In Your Face', Tate, Spring 1994
Hirst, Damien, 'Life's Like This, Then It Stops', Flash Art, March-April 1993 Chapman, Christopher, 'Doing Drugs with Damien Hirst', World Art, November 1993
Dannatt, Adrian, 'Damien Hirst: Life's like this, then it stops', Flash Art, March-April 1993
Burn, Gordon, 'Damien and Death', Modern Painters, Summer 1992
Graham-Dixon, Andrew, 'One Strange Fish', Vogue, March 1992
Allthorp-Guyton, Marjorie, 'Cry Wolf', artscribe, February-March 1992
Corris, Michael, ''Damien Hirst', artforum, January 1992
Collings, Matthew, 'Damien Hirst: This Is Your Life', City Limits, January 1992
Morgan, Stuart, 'Life and Death', frieze, Summer 1991 (pilot issue); and in No Sense of Absolute Corruption, exhibition catalogue, Gagosian Gallery, New York, 1996; essay on Hirst in his What the Butler Saw, Durian, London, 1996
Renton, Andrew and Liam Gillick, editors, Technique Anglais: Current Trends in British Art, Thames & Hudson, London and New York, 1991
Gillick, Liam, 'It's a Maggot Farm', artscribe, November-December 1990
|
|
