We are living in a time were the
average family's budget includes luxury goods and pursuits such as annual
holidays, new cars, computers and entertainment and it is surprising that
people are still reluctant to buy an original artwork. The reason for this differs from
country to country and I will try to address the reasons I personally think
part of the scenario in South Africa.
Many of us grew up with no appreciation for art
or any training in the field. Most people appreciate skill and you don't have to be a
jeweller to recognize a well-made piece of jewellery. The same is true for art, you
don't have to be an artist to appreciate a good work of art. Since we were never
taught to look at art in the right way, we don't have any appreciative skills and
therefore have to rely very heavily on advice from Art Dealers or Gallery owners to guide
us as to when and what to buy. If one looks at the newspaper reports on art, it is
always the most obscure piece or the most expensive piece that makes the front page. The
average man on the street gets very confused because he is made to believe, by
art critics, that this is what art is all about. The irony is that there
are wonderful works by talented artists exhibited in smaller Galleries, which is
ignored by these critics.
It is very important to exhibit new concepts and there are leading galleries
like Bang the Gallery that has taken the lead in this field in Cape Town.
It is a myth that good original art should cost a four-figure sum or more. The work of
many younger artists are very reasonably priced unless otherwise influenced by the
Galleries they are dealing with or by their Agents and promoters, and there is a
wide range of art available to suit all tastes and budgets.
We must start off by clearing the age-old tradition of
thought that art is only for the upper classes, the rich and certain ethnic groups.
Even now after the change in South Africa the atmosphere in most Galleries is still
stiff, pompous and intimidating to the casual or first time visitor. People will not
buy if they feel threatened or uncomfortable with their surroundings.
With the opening
of one of South Africa's latest Galleries in Cape Town, Johans Borman Fine
Art, it was again the case of a white élitist crowd that attended
the opening of the Gallery. They were draped in jewellry and sipped away at their
sponsored Whisky and wine while their partners wrote out cheques. It is a magnificent
Gallery specializing in Old Masters, unfortunately masters like Gerhard
Sekoto, George Pemba, Gladys Mgudlandlu and other black artists were not
included. A very definite division was also made between Old masters and
contemporary, which was shown in two annex Galleries. |